Notices  
ERASMUS Students Announcement (07/11/2011)
 Department of Interior Architecture, Decorative Arts and Design 
History of Architecture & History of Art, 15th-20th c.
Computer Aided Design Methodology
Drawing, color: 3d space
Interior Architecture: Residential spaces
History of furniture: Ancient & Medieval Times
Basic drawing and plastic arts
Basic drawing and plastic arts
COURSE: BASIC DRAWING AND THE PLASTIC ARTS
Course ID N1-2060
COURSE TYPE Theory - Laboratory
COURSE CATEGORY Compulsory
HOURS PER WEEK 4 (1 Theory, 3 Laboratory)
ECTS 7

TYPICAL SEMESTER 2nd


AIMS AND OBJECTIVES OF THE COURSE
The aim of this course is for students to understand the concept of composition on Plastic Arts, to acquire skills pertaining to the applications of 3D space and form in decorative arts, and to realize the issue in management of personal style aesthetically and technically.

COURSE DESCRIPTION
This course deals with development of completed proposals in the 3D space with different techniques and materials. The proposals are completed technical as well as in aesthetical, while the concepts of "plastic Arts" and "Aesthetic" are have now been clarified. Techniques of plaster mould (Negative and Positive form). Multiple positive "moulds" with pressed paper (mask). Silicone Moulds. Differences between the levels, curved and convex shapes, levels and textures. Materials: clay, plaster, paper, glues, color, silicon.

EXPECTED LEARNING OUTCOMES
At the completion of this course students will be able to understand composition in the three-dimensional space, and they can dynamically approach the concept of Plastic Arts. They are able to practice with various materials, and also to create their personal style. Thus the individual argues his subjective attitude toward the idea and its realization.

BIBLIOGRAPHY
Greek

1. Kondaratos S. (1983). The experience of the Architectural space and the human body. Athens: Kastniotis.

International
1. Arnheim R. (1974). Art and Visual Perception, A Psychology of the creative Eye. University Of California Press.
2. Entropy and Art. An essay on disorder and order. (1971). University of California Press.
4. Kandinsky W. (1992). Point-Line-Plane. Athens: Dodone.
5. Tucker W. (1974). The Language of Sculpture. London: Thames & Hudson Ltd.


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